In an era where creativity and craftsmanship are more vital than ever, Kavita Parmar stands at the forefront, pioneering a movement that celebrates the intersection of art and community. As the visionary founder of Xtant, Kavita has curated an extraordinary platform that not only showcases the talents of over 70 artists and designers from 30 countries, but also fosters an environment of connection and collaboration.
This May, the emblematic palace of the 15th century, Can Vivot, in Palma de Mallorca (Spain) will host a remarkable gathering that promises to inspire and uplift all who attend. In this interview, we delve into Kavita’s journey, her passion for craftsmanship, and her vision for Xtant, exploring how this transformative event aims to rejuvenate our spirits and ignite our creative potential.
Kavita Parmar, Founder of Xtant
Can you tell us about Xtant and its purpose?
Xtant is a unique textile event dedicated not only to the fashion industry but to textiles in general. It is a community that celebrates the art of craft. Our project continuously evolves alongside our artisans. We understand that some individuals may struggle to afford participation as exhibitors, so we provide them with privileges and work through donations. Our model is non-profit; while it may not be perfect, our primary goal is not to grow or sell space, but to cultivate a supportive environment for artisans and exhibitors at the Xtant event.
What challenges do you face in curating the event?
The curation process is quite challenging. In profit-driven events, exhibitors often have access to larger spaces and more significant opportunities, such as prominent speaking slots. Participation can depend more on financial capability than the quality of the project.
Many people misuse the term “sustainable,” equating it with “artisanal.” I am frustrated by the belief that if you’re not pursuing profit, you are not sustainable. For instance, some small events are sponsored by large multinational corporations. If a big company wants to support small events like Xtant, why do they need to display their logo? True support should be about collaboration, not branding. We have turned down offers from large companies because we believe our community doesn’t need a sustainability expert from a luxury brand to speak at our event.
What are your thoughts on the current approach to sustainability in the industry?
I am against the recycling of plastic bottles in fashion. Brands promoting this idea essentially encourage consumers to buy plastic, which can then be recycled into products. This marketing strategy is harmful to the environment.
“Scaling production, as many fashion brands do, is not sustainable. The notion that scaling benefits everyone is misguided.”
I also tire of seeing charming coffee shops turn into franchises, undermining the essence of sustainability.
Recently, we were approached by someone from Saudi Arabia who wanted Xtant to be part of a new mall. I was shocked; they seemed to miss the essence of Xtant, which is about community and shared hope, not commercialization.
Can you elaborate on the knowledge-sharing aspect of Xtant?
Knowledge sharing is a form of wealth that is inherently sustainable. This practice isn’t new; it’s how communities operated before industrialization. We aim to revive this model at Xtant.
One week before our event in May, we will host a leadership program focused on interdisciplinary collaboration. I believe everyone, regardless of their background, can contribute to shifting the narrative. Participants engage in workshops and talks with influential figures from various fields, fostering empowerment and building connections. The program is intergenerational, interdisciplinary, and intercultural.
How do you envision aligning with a more sustainable economic model?
We must align with a circular economy, which mirrors nature. Nature is the ultimate model of sustainability, where nothing goes to waste. It’s crucial to recognize that our current economic systems are often at odds with natural principles.
Governments should facilitate a circular economy, but instead, they often create complex regulations that favor large corporations, harming small businesses.
“Emphasizing local production and smaller scales can lead to a truly sustainable model.”
Tell us about your journey and motivation behind Xtant…
I have a background in textile research and fashion design. I realized that building a sustainable business model within the traditional framework was impossible, so I envisioned creating a new ecosystem where we could thrive collaboratively. This community project is a long-term endeavor—a hundred-year plan—to support diversity in textile fibers, knowledge, and culture.
Why did you choose Mallorca for Xtant?
Mallorca chose us, in a way. Initially, we hosted our first event in Mexico City and envisioned a nomadic community. However, I quickly realized the challenges of organizing events in multiple locations. With a volunteer team of about 50 people, we wanted to ensure sustainability and independence from government or corporate funding.
We decided to pool resources from exhibitors to reinvest in the project. After a successful event in Mexico City just before COVID, we realized the essence of Xtant lies in physical gatherings. When we were offered a venue in Mallorca, we recognized its unique textile tradition and decided to make it our home.
What can we expect from the upcoming edition of Xtant?
The next edition runs from May 9 to 13, 2025, and is open to the public. We do not charge artisans or invited guests; we fundraise to cover expenses, and I only ask artisans to cover their travel costs. If they cannot afford it, we seek additional funding to assist them.
The first day is reserved for press, followed by a VIP event. From May 10 to 13, attendees can visit Xtant for free, attend talks, and purchase unique pieces from artisans.
Which designers will be participating this year?
This year’s lineup includes designers like Hertunba by Florentina (Nigeria), Jardín Azul by Giuliana Macchiavello (Peru), Alamwar Textiles by Viji Reddy (India), Wehve by Gesine Holschuh (Belgium), and A New Cross by Augustín Nicolás Rivero (Colombia). We will finalize the list after addressing visa considerations for participants.
Do you welcome biodesigners at the event?
While we don’t have a specific category for biodesigners, we have two essential rules: First, all materials must be natural fibers—no recycled polyester or plastic. And then, we prioritize collaboration over individualism. We conduct personal interviews to understand each participant’s motivations and ensure they align with our community values.
What is the theme for the upcoming event?
Each year, we select a theme that highlights knowledge, fibers, skills, and preservation for the future. Last year’s theme was “Roots,” and this year, it is “Huaca,” a Quechua word meaning sacred. We aim to explore what is sacred to us as humans, the connections we share with nature, and the importance of community. Crafting allows us to meditate and deepen these connections.
Any final thoughts for our readers?
Change is constant, and it is our responsibility to engage with it. As Gandhi said, “Be the change you want to see.” This principle is powerful. In our leadership program, that will take place one week before Xtant, we emphasize empowerment and collaboration, fostering connections that can lead to meaningful change. Together, we can create a world that values creativity, community, and sustainability.
Words : Kavita Parmar / Anne-Sophie Castro
Photos : Xtant
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